User Reports • Comrex

Jan 26

Earforce, a recording studio based in Amsterdam, uses Opal as an audio interface to help their clients produce podcasts.

Aug 11

For those who don’t have a dedicated codec, FieldTap can get your staff and producers on the air as they from home during the pandemic.

Jul 09

Joe Pags uses LiveShot to add a visual component to his radio show and diversify his programming to reach new audiences.

Feb 08

LiveShot lets this community media station broadcast video from anywhere, not just where they have cable drops.

Mar 05

Kevin Collins, an independent broadcast engineer and sports announcer, uses ACCESS IP audio codecs for live sports coverage at every level.

Feb 18

TheBlaze uses LiveShot to provide bidirectional video over the public internet, employing multiple for live transmission.

Jan 23

Broadcasting Experts is a production house that uses Opal so clients can provide remote audio in a simple way that doesn’t sacrifice quality.

Aug 15

iHeartMedia uses ACCESS for live audio from remote locations and CrossLock for reliable broadcast transmission.

Aug 06

Robbie Green, Director of Technical Operations at Entercom Houston, uses Comrex IP audio codecs to power the Texans’ broadcasts.

Jul 10

Tom Read relies on Comrex IP audio codecs to broadcast in high-quality from the field to the studio and from the studio to the transmitter.