K-Wave Broadens Audience with Video
KWVE(FM) expands their audience base by incorporating a visual component to their radio program through the use of LiveShot by Comrex.
Continue Reading Gear in Action User ReportsKWVE(FM) expands their audience base by incorporating a visual component to their radio program through the use of LiveShot by Comrex.
Continue Reading Gear in Action User ReportsThomas Shomper runs a small company that does live radio and TV remote production. See why ACCESS is his number one IP audio codec choice.
Continue Reading Gear in Action User ReportsLearfield IMG College uses Opal for acquiring audio from play-by-play host talent and producing podcast interviews.
Continue Reading Gear in Action User ReportsGary Langley, chief engineer at Interlochen Public Radio, uses BRIC-Link II for high-quality audio and has been able to get rid of ISDN.
Continue Reading Gear in Action User ReportsSteven Kray, the sound supervisor at Oregon Public Radio, uses various Comrex IP audio equipment to stay on the air during the pandemic.
Continue Reading Gear in Action User ReportsEarforce, a recording studio based in Amsterdam, uses Opal as an audio interface to help their clients produce podcasts.
Continue Reading Gear in Action User ReportsFor those who don’t have a dedicated codec, FieldTap can get your staff and producers on the air as they from home during the pandemic.
Continue Reading Gear in Action User ReportsJoe Pags uses LiveShot to add a visual component to his radio show and diversify his programming to reach new audiences.
Continue Reading Gear in Action User ReportsLiveShot lets this community media station broadcast video from anywhere, not just where they have cable drops.
Continue Reading Gear in Action User ReportsKevin Collins, an independent broadcast engineer and sports announcer, uses ACCESS IP audio codecs for live sports coverage at every level.
Continue Reading Gear in Action User Reports