FieldTap Keeps Hubbard Radio St. Louis on Air
For those who don’t have a dedicated codec, FieldTap can get your staff and producers on the air as they from home during the pandemic.
Continue Reading Gear in Action User ReportsFor those who don’t have a dedicated codec, FieldTap can get your staff and producers on the air as they from home during the pandemic.
Continue Reading Gear in Action User ReportsJoe Pags uses LiveShot to add a visual component to his radio show and diversify his programming to reach new audiences.
Continue Reading Gear in Action User ReportsLiveShot lets this community media station broadcast video from anywhere, not just where they have cable drops.
Continue Reading Gear in Action User ReportsKevin Collins, an independent broadcast engineer and sports announcer, uses ACCESS IP audio codecs for live sports coverage at every level.
Continue Reading Gear in Action User ReportsTheBlaze uses LiveShot to provide bidirectional video over the public internet, employing multiple for live transmission.
Continue Reading Gear in Action User ReportsBroadcasting Experts is a production house that uses Opal so clients can provide remote audio in a simple way that doesn’t sacrifice quality.
Continue Reading Gear in Action User ReportsiHeartMedia uses ACCESS for live audio from remote locations and CrossLock for reliable broadcast transmission.
Continue Reading Gear in Action User ReportsRobbie Green, Director of Technical Operations at Entercom Houston, uses Comrex IP audio codecs to power the Texans’ broadcasts.
Continue Reading Gear in Action User ReportsTom Read relies on Comrex IP audio codecs to broadcast in high-quality from the field to the studio and from the studio to the transmitter.
Continue Reading Gear in Action User ReportsTom Barclay, Radio Operations Manager for Georgia Public Broadcasting (GPB), uses Comrex equipment to tackle the obstacles of COVID-19.
Continue Reading Gear in Action User Reports