Interlochen Public Radio Innovates with BRIC-Link II
Gary Langley, chief engineer at Interlochen Public Radio, uses BRIC-Link II for high-quality audio and has been able to get rid of ISDN.
Continue Reading Gear in Action User ReportsGary Langley, chief engineer at Interlochen Public Radio, uses BRIC-Link II for high-quality audio and has been able to get rid of ISDN.
Continue Reading Gear in Action User ReportsSteven Kray, the sound supervisor at Oregon Public Radio, uses various Comrex IP audio equipment to stay on the air during the pandemic.
Continue Reading Gear in Action User ReportsEarforce, a recording studio based in Amsterdam, uses Opal as an audio interface to help their clients produce podcasts.
Continue Reading Gear in Action User ReportsFor those who don’t have a dedicated codec, FieldTap can get your staff and producers on the air as they from home during the pandemic.
Continue Reading Gear in Action User ReportsJoe Pags uses LiveShot to add a visual component to his radio show and diversify his programming to reach new audiences.
Continue Reading Gear in Action User ReportsLiveShot lets this community media station broadcast video from anywhere, not just where they have cable drops.
Continue Reading Gear in Action User ReportsKevin Collins, an independent broadcast engineer and sports announcer, uses ACCESS IP audio codecs for live sports coverage at every level.
Continue Reading Gear in Action User ReportsTheBlaze uses LiveShot to provide bidirectional video over the public internet, employing multiple for live transmission.
Continue Reading Gear in Action User ReportsBroadcasting Experts is a production house that uses Opal so clients can provide remote audio in a simple way that doesn’t sacrifice quality.
Continue Reading Gear in Action User ReportsiHeartMedia uses ACCESS for live audio from remote locations and CrossLock for reliable broadcast transmission.
Continue Reading Gear in Action User Reports